GALLERY
The images in The Gallery have been generously provided by Bonhams Fine Art Auctioneers, various contributors to The Glass Society magazine, and individual members. While our goal is to share these images to inspire visitors and foster an appreciation for glass, we respect the intellectual property rights of third parties. Users are responsible for obtaining all necessary permissions from relevant rights holders or their representatives before using any images from this gallery.
A Thoughtful Moment Between Artist and Collector, David Reekie 2025 (courtesy of David Reekie & Mark Holford).
Greyhound, manufactured by John Derbyshire, Regent Road Flint Glass Works, Salford. Registered September 1874
Swan, manufactured by Burtles Tate & Co, Manchester. Registered January 1885
Pike, manufactured by Molineaux Webb & Co, Manchester. Registered July 1885
‘School of Fish’, Helen Millard, Abbotsbury, camo glass (David Rowan Photography)
‘Refugee Woman’, Tone Orvik, Norway (Simon Bruntell Photography)
Terri Colledge working on the cameo contemporary Naples Vase, Stourbridge, 2024 (Simon Bruntell Photography)
‘Profile’, Bruno Romanelli, London (David Rowan Photography)
Madeleine Hughes, ‘Nature Reimagined’, Stourbridge, 2024 (Simon Bruntell Photography)
‘After the Darkness The Light’, Chris Day 2022 (Simon Bruntell Photography)
Frigger Pepper, DarrenWeed, Stourbridge (David Rowan Photography)
Allister Malcolm Glass Ltd., electric studio, Stourbridge (Simon Bruntell Photography)
Whitefriars Glass, designed by Geoffrey Baxter, including the ‘Drunken Bricklayer’ vase, circa 1960
A Stevens & Williams ‘Silveria’ vase designed by Frederick Carder, circa 1900
A group of English wine glasses and an ale glass with opaque-twist and airtwist stems, circa 1760
‘Tinnies’, designed by Alexander Hardie Williamson for Ravenshead Glass, circa 1965
‘Sheringham’ candlesticks, designed by Stennett-Wilson, King’s Lynn Glass, circa 1969
Rock crystal-style vase, Stevens & Williams, Brierley Hill, circa 1887
Salmon-pink Macchia Scaled vase, Dale Chihuly, Seattle, circa 1989
Bowl, sand-blasted, designed & made by Ruth Dresman, Wiltshire, circa 2000
Vase, designed by Frederick Carder in the Art Nouveau style, Stevens & Williams, Circa 1900
Basket, Stourbridge, circa 1890
Wine glass, Stourbridge, circa 1850
A Stevens & Williams (later Royal Brierley) commemorative glass of the coronation of King G.VI, 1911. Rims of bowl and foot and the engraving gilded
A Stourbridge water set, jug and for glasses. c1950 – 60. Orange bands on clear upper sections over frosted lower section and a black foot
Stuart and Sons water set, jug and six glasses. c1950 – 60
Orrefors. A ‘Selina’ bowl by Sven Palmqvist, mid-20th century
A rummer with a straight sided bowl and lemon squeezer foot, with an image of Skelton church. c.1810. From the collection of Tim Mills.
A Stevens & Williams (later Royal Brierley) gilt flask of 1937, commemorating the Diamond Jubilee of queen Victoria.
Gray-Stan glass by Elizabeth Graydon-Stannus, 1920s to 1930s. A yellow vase with dark blue side sections outlining the vase.
A pair of zanfirico style ducks by Mike Hunter, early 20th century
A tall penguin sculpture by Mike Hunter, at 46cm H
Renee Lalique wine glass, ‘William Cocktail’ 1925, with a black enamel cockerel stem
Gray-Stan glass by Elizabeth Graydon-Stannus, 1920s to 1930s. A clear glass covered dish with blue borders to bowl and foot and a dark blue finial
Renee Lalique ‘whisky-soda’ drinking glass, ‘St Nabor’, 1926 - 31. Black enamel patterned base
Gray-Stan glass by Elizabeth Graydon-Stannus, 1920s to 1930s. A large two-handled vase resembling an urn. Decorated with a nature scene.
Renee Lalique ‘Chambertin’ wine glass, 1938. Generous bowl over a patterned cone base
Facon de Venise wine glass. Salviati, c.1900. Blue opalescent bowl over a stem knop with the Lion’s head of Venice repeated. Blue rimmed foot
A large decorated vase by Richard Golding, with the Red House glass cone and surrounds. For The Glass Association in 2016.
Glass sculpture by Erwin Eisch. To the memory of Kristallnacht. Early 21st century.
Three west windows of the Sagrada Familia in Barcelona. By Joan Vila-Grau, following the designs of Antoni Gaudi. Early 21st century.
Reproduction 18 century baluster wine glasses. The Georgian Glassmakers. Early 21st century. From the left: cylinder knop; mushroom knop; drop knop.
Reproduction 18 century baluster wine glass in pale green. The Georgian Glassmakers. Early 21st century. Funnel bowl over a hollow round knop stem and a raised foot.
Facon de Venise ornamental wine glass, Salviati, c.1900. Blue opalescent glass
René Lalique (1860-1945)
'Coquilles No.1' a Plate and Bowl, design 1924
BURTLES TATE, Manchester (1858-1924)
PRESS-MOULDED GLASS SWAN, circa 1880
An Émile Gallé (1846-1904) cameo glass Mountain Landscape vase
circa 1900
Daum Frères (Est. 1878)
Landscape Vase, circa 1900
Tiffany Studios (1899-1919)
Jack-in-the-Pulpit Vase, favrile glass
circa 1919
A Floral Bouquet Leaded Glass Lampshade, Circa 1902
A René Lalique (1860-1945)
An Opalescent Glass 'Bacchantes' Vase
pre 1945
Barovier Seguso Ferro
Vase, executed 1932
GEOFFREY BAXTER (1922-1995) FOR WHITEFRIARS
Textured 'Banjo' vase, designed 1966
FULVIO BIANCONI (1975-1996)
Rare Monumental Fasce Vase, for Venini
circa 1954
Harvey K. Littleton (1922-2013)
Studio Glass Sculpture, dated 1979
A rare Monart cameo lamp and shade.
A Monart glass paisley shawl vase
A Loetz iridescent glass Peacock vase,
circa 1900
Simon Gate (1883-1945)
Centerpiece and Underplate
designed 1920, engraved 1925
for Orrefors
A GABRIEL ARGY-ROUSSEAU PÂTE-DE-VERRE COUPE SUR PIED AUX ANSES
Fulvio Bianconi (1975-1996)
Vase, circa 1953
Harvey Littleton (1922-2013)
Two Part Descending Form
1984
MONART VASE
MONART GLASS VASE
JAMES POWELL & SONS WHITEFRIARS OPALESCENT (Vaseline) GLASS, late 19th century
A French blue carpet-ground paperweight, Baccarat, dated
1848
An English cameo glass plaque ‘The Attack’, by Thomas and
George Woodall, Stourbridge, completed in 1896
An English enamelled opaque twist wine glass with a
shepherd boy, Beilby Workshop, Newcastle-upon-Tyne, circa 1765-
70
An English cut-glass 'Prince of Wales service' decanter and
stopper and seven wine glasses, Perrin Geddes & Co., Warrington,
circa 1806-10
A pair of Irish decanters and stoppers and a pair of matching goblets, circa 1825
A Venetian vetro a retorti filigree tazza or drinking vessel, late 16th
century
An English early baluster goblet, George Ravenscroft period,
circa 1690
English Privateer Goblet known as ‘The Famous Tyger’ — circa 1756-57. Features ship engraving and the inscription ‘Success to the Famous Tyger’.
Winged Sphinx, manufactured by John Derbyshire, Regent Road Flint Glass Works, Salford. Registered in March 1876
An English engraved 'rock crystal' style claret jug attributed
to Frederick E. Kny for Thomas Webb and Sons, Stourbridge, circa
1880
An English three-colour Gem Cameo vase by George Woodall
for Thomas Webb and Sons, Stourbridge, circa 1890
An English two-colour cameo glass vase, Thomas Webb and
Sons, Stourbridge, circa 1880
A Venetian cameo glass ewer by Attilio Spaccarelli, circa 1885-
90
A Bohemian enamelled and gilt Reichsadlerhumpen, dated 1614
A Nuremberg Schwarzlot and polychrome enamelled triple-bun
footed beaker, circa 1680
A Dutch stipple-engraved facet stem portrait goblet,
attributed to David Wolff, circa 1780
A Potsdam engraved Hochschnitt gold-ruby
or Rubinglas goblet by Johann Kunckel von Löwenstjern, circa
1685-90
An English Royal commemorative moulded stem wine glass,
celebrating the accession of King George I, circa 1714
An English engraved Jacobite wine glass, circa 1750
The Famous Tyger: an English engraved Privateer goblet,
circa 1756-57
An English colour-twist wine glass, circa 1765
An English opaque-twist candlestick, circa 1765
An Austrian transparent enamelled Ranftbecher with a view
of St. Stephen’s Cathedral, in the manner of Anton Kothgasser,
Vienna, circa 1820-30
A Bohemian 'Lithyalin' pen holder, circa 1835
An English 'rock crystal' claret jug and stopper, cut and
engraved by John Orchard for Stevens and Williams, Stourbridge,
circa 1903
A pair of French acid-cameo pink-cased opaline vases,
Baccarat, circa 1870
A Venetian enamelled and gilt bowl, circa 1500
A Venetian wine glass, late 16th or early 17th century
An early Venetian and enamelled and goblet, circa 1500
A façon de Venise winged goblet, probably Dutch, 17th century
A Venetian opalescent winged goblet and cover, Salviati and Co.,
circa 1870
An English heavy baluster goblet, circa 1710-15
A set of eight English gilt opaque-twist wine glasses, possibly
James Giles Workshop, London, circa 1765
An English opaque-twist wine glass, circa 1765
An English emerald-green tinted airtwist wine glass, circa
1750-60
An English opaque-twist wine glass with blue-tinted bowl and foot,
circa 1765
An English opaque-white baluster vase, South Staffordshire,
circa 1760
An English engraved political commemorative facet stem
wine glass, circa 1770
A Lower Styrian engraved beaker by Hieronymus Hackel,
circa 1815
A North Bohemian engraved goblet by August Böhm Senior,
circa 1850
A Bohemian ruby-stained goblet and cover, circa 1840-60
A late 19th century twelve-light cut-glass chandelier by F &
C Osler, Birmingham
A Dutch engraved Royal armorial light baluster wine glass,
circa 1750
A Dutch or German Roemer, , mid-17th century
A Potsdam engraved Hochschnitt gold-ruby
or Rubinglas goblet by Johann Kunckel von Löwenstjern, circa
1685-90
An English enamelled decanter and stopper, for Lisbon,
Beilby Workshop, Newcastle-upon-Tyne, circa 1765-70
Two English gilt blue-tinted fingerbowls or rinsers, Isaac
Jacobs, Bristol, circa 1810
A Venetian vetro a reticello filigree plate, late 16th or early 17th
century
A façon de Venise tazza, probably English, circa 1670
An English rummer engraved with a view of the Sunderland
Bridge, made for the Golden Lion Inn, Boston, circa 1820
