Gl~l-i
NEW
Gahrt.:llu Gros
9 n~rrun nrh•e
l ( ()fir
o’:’ • ~l • W • !. •
·———— ………….. ~-~ ———– —–~·- … —·- _.,._ –
ROUND ~…Ql!l..
Qevir.c MadnP.:;~ or th~ Pre!_!l?h,.,eJ J t~~<2 ..... :P.2~ I! ;5 lAN 2f.B Thf following l,wely bit of Tf pcn·ting rel: "',!tl }' d•~e1C: 1l r.,•n· S,1nrb; ·e i·,i,1b: "A BURNE-JONES DISCOVERY. Two Burne•fonc.:J stainr.lm w3l1::i'”e, who r,i:,.,f!:, d h1: fndiar.
Constitution, flew out to pad: ~h,’!tn fc-r .-i11t, 1p’:.ng L, L•.J:1d01,. H,,·;0v1n””•’ 1.nr t{• th> n.’..’r 11c 11[ 3·.,~ i P.H’H Pagn1
(Div~ne Madman). His plan is to use the money -ra:!!:td £’L a.J:..Lon to::;,,,, 1.-,~gl l!l
plants and hallucinatory (!!) flora to tu-rn a 10O-mile lon,; ‘•all.f..V t10llr P, Hf’l 1
into a healing centre. A film i!l to be made> ab0ut. th<' d.i.scnv'!r" '.'lf th, \' 1 nd!'>W:J
and the ensuing vegetable activity(!). The wJcnot.ro; ,11:e ::- irl Lo have: 1 nen
comnissioned by Lord Elgin, an 11 x 5 ft. and depi.;: t Salom:. an-i He-rctl /1ntf p;, ,;
(not to be confused with Salami. and Antipas ta ~:hich is not A ‘t’geti~r:.au cli:1h/r.d.) •
To preside over the whole venture a committ’:!e ha”‘ lJP.f”n fos:r1e1
, u1 N~-,.• Yo,.t, whi.ch,
for some reason, contains Nt’rroan Mailer (not :,et Ne.kcd no1· Do,.:>1:l/Ed.) tl:ir ‘-Wf•r.u
and he mother of the Dalai Lama’s Sect:eta1-y. If th:· ,;01.md<: c~)nf:Jsin!i. then All will, doubtless, become clear as soon as the Swmni wri tPs h i.s th.:'!.? tene bad: .,, rd!
Amoret110dest figure (£39 473) was paid by th~
Fn New
York for a set of eight ‘art deco’ glass we.11 r.ene! .. ~- a,~t.io,1~d
a1· Cl•rist.i.”‘ 1
9, New
York.
Painted by Jean Dupas in 1933-34, they WP’!:f! q.,r,uni s’1 lri11eJ for the Fr~nch
liner
Noxmaudie, designed as a floating showcase wit.11 w::.’t”k~ i:iy the forc11Jo.,t: French
sculptors, decorators and a:rchitects of the
per:!c d. Ln l’Jt~l, dudng the -;hlp~
co&Werai011 to a troop can-ier in New York harbo1rr, it caught fire ar.ci founJ’?rnu.
The fittings, previously ret:1oved, were auctioned l>y the go,retnment l1t l’IL1t:n-, and
55 of the sumptuous 30ft high glass mu-r&ls arc iu the New YoJ’.k Metropoli :-;,n
Musemn of Art.
The first exclusive Lalis ar .. ~ sli. 1 L leaders n the
fidd. Galle glass could be purchAsed frC”,m tipcc-:-..al Gai.lc :shops, pat’I:’ ·ui.rcly
after Galle’s death in
1qo4 :vhc>n the factod~r, u· .ieJ out st~l dard Cf\l\H”O pk .
by the thou~ands. Thl”..;C’ wer.e Jtill considered 111xurv
~•’)Q~:i; s.nd zhcps •7<~1'.'I:! concentrated inlarg(' cl ti.es, tondon, Berlin, b.n,t s a~, a:, for. l.nsta.n1.·, c, •· aden (Germany). Sat,:,room prices arc unpredictable -a la1:g1! l11ndscap, C'l'lC:O va. e Ultit 1 r "ecently £4 000 i~ London, anrl a blue and whitt cameo vase decor~t~d w~th sf.~gu.1 • r~;tng over foaming waves fetched f.16 493 st Sotheby's. M!)n!i<:'> • peth&.ps bern·1sc f lts
fine sculptural quality and the less common
cler.0-rattve th 1,:e. Th;E- ~a1c (f b. 10)
was devoted to •=Arts Dccorat!fs Styles 1900 et 1′!25” a ·1 •
t • s ir ·er~~ti11 6 l
note

• 110s!. E!:XC tj n the ·pore that the French governr:ient n ou ‘~e O u O louvr• u de~; i soc~
lot!’: the e tlrf” personal h drocm
ti ere rod tir 8
t 1st of he
Louis Majorelle
t 1Q•l926). 10 one 1.)f th f •r ., . cc 1 d Ith
L anc, ‘lChool wo1:ked nainly i7. the J[ 1._ ·e ,f fu~nitu e. -jU n…. . .
h . •~hi,, gt~Rt ,c~·[ .• 1’: .as L,o lun oned
arvellously flo.;,ing wrou t t on . h
1 -er· ‘S of .e~ 1 mounts
with som~ of the gtassmakers of tli? pcti~>d, a a e I n ‘ 6
• f by
h’ e 1 :,e~ • C t ~r
in particular for Dcu!l’ \.·ho mars
for only £31 250 due to thE’
t’xpo-r ban. In ‘lew York just a !ittle P.url’….,r, .
• ‘ • f r-104 ‘ 6 ” Tr.1 .. :t;itont~’h .. Chri.tie s sold a Galle piece to 4 private collector o~. ~v •• • w
ing prke was pal.d for a 1Tery fine piPce: a c-up, applie.tchPd bi>tw<'""li f.50 ard £160, with an exceptionally high £550 for an airtwi~t Jacobi.te wine ht ass .. £200 -J.:.f,CO for colour and tartan twists, and £1 800 for a Newcastle Crimmemorat ➔ ·e goulet. In the ame sale the continental gla~s section provided some f:ne speer.mens oi: tn,n~­ parent enamelling, most pieces belonglng still to the IHedermeicr pc-ri()d (catalogue dates unreliable), the highest price of £2 200 paid for a Kothgasse, Karten (not Katen) Ranftbecher, a beaker decorated in opaque enamel 1 ·ng with j2 _,,•atten,d µlay- ing cards, one of Kothgasser's specialities. Perhaps bccau5c i ~. s ~h~ only on€ of its kind at the sale, the Facon•de-Venise 17th c. 'FJ.i.."gelglas' etched £1 9011. This seems a great deal for a specimen which is by no means uncorrr.,,on, Continental glass on the whole appears to have risen in pt'ice :no,:e steeplr than Engli.,;h gloss. An en..._lled lleichaadler Humpen which was sold recently for o,•er £(: 000 wc.,ul :i have fetched hardly more than £300 ten years ago. It is a gre~t pity that :he 8uction houses no longer publish the names of the buyers in th€ir price list~. There are obvious reasons for this but from the collectors point of ,riE'w : t i:; certa:! nly a dlaadvautage. TILIGRAVING Our Congratulations to member .Jane Webster who once o.gatn ha~ be~n chosen to engTave the Pye Television Award. Jane uses a speciall~, made optic.al gl a~s for her work, and he-r sensitive intaglio engraving in the classical style has been widel)' exhibited. YOIUCSHIRE GLASS• WHAT DO YOU KNOW? John Goodchild, archiv:i.st and hMd of the Dept. of Archive3 and Lo al Studii:s at the Wakefield Library Headquarters, Balne Lane, Wakefield, WF2 O~~ has prepareJ a large amount of material towards a history of the West Riding Glass Iodu$try 1 the information being almost entlrely taken from unpublished source 111aterlr.ls. 't'he indust!"}' was bulk-wise largely concerned with the m,1nufac.t 1re of containFrs, but a certain amount of ornamental glassware was produced. Mr Goodchild would oe t1·ul Y grateful for any references or illustrations from manuacrlpts, books, k ret'•1ead etc. or eny details of provenanced ware which members of the Glass Circle r.1ig1t know of. Any such assistance would• of cours~ be prop~rly acknowledged. GLASS C I'RCLE MEETING -GLASS MAKING IN THE NEAR EAST (Westminster Hospital 17.3 ... l) Traditional methods of glass maklng u~cd over many centut'ies persist ln th ne r East. Colour slidts showed wot'k.in~ furnaces at Damascus, liebrof' nd Cai O and th ( way in which all manufacturing operations could be ~atried out seP.tcd in front of •: blow hole with the blowing iron being rolled on the kne. The s.ru::: thcrrP_w • ~ch•' iu a film "Glass Making in Herat" -a remarkably informative and trr1osphe.- ca, 1 L~ evocative production by th~ Cornini Museum. The basic ingn,dients w re ·ru 5 ,1 " • ·~. was wood for tl'e white pebbles and a burnt de5ert shrub. The most expensive conur.o 1 -) d T k •xhibi ed bv members. fire. Modern glass from Egypt, Damascus, Israel an 1 1r ey was u h apitality o{ Mrs Marshall, HT Stone and Mr Wri :it w.es adwowledged. ---------~-----------~--